A Taste of Music

Don’t over think this, I tell  myself while contemplating a response to my niece’s inquiry about my taste in music. Amy’s 12 and at an age where she’s developing her taste for many things, music being one of them.

“Well?” Amy waits not so patiently at the wobbly kitchen table, one hand dipping into a freshly made batch of popcorn, the other clutching a glass of sparkling water and black current. No soda pop in this house.

“Music is a personal thing,” I attempt to explain. “It’s an expression of the soul. It can build up, and it can tear down. It can inspire. It can soothe. It can …” Words fail me really. My awe for the power of music is beyond description. And yet, I must try. “To develop your taste for music,” I proceed while staring out the kitchen window and tapping a finger on the table top, “you must listen to many genres to see what resonates.” I pop a piece of popcorn into my mouth and allow its buttery texture to dissolve rather than crunch on it. “I’ve developed my musical appreciation over a life time. Still,” I ruminate, “my tastes were guided most by what I was exposed to around the time I was your age.”

I smile and leave the table.

“Where are you going?” Amy calls after me.

“Don’t worry … I’ll be back.” I head into the family room to a trove of old albums hiding in an out-of-the-way antique cabinet. I’ve had them since I was Amy’s age and possibly even younger. My introduction to music was quite different than that of most. My mother was a professional opera singer, so classical music permeated our home. All other musical appreciation grew through the finely-tuned ear the great masters of music gifted me. I feel incredibly blessed.

I gather a few samples from my eclectic collection and bring them to the turntable Bill has just purchased and set up in the bay window. The old is new again.

“Amy, sweetie, come here, please!”

“But you said you were coming back!” she howls as only a beleaguered pre-teen can.

“C’mon …” I cajole.

With the scrape of her chair against the old hardwood floor … and a sigh of exasperation … Amy manages to manoeuvre her way from the kitchen to the family room. Such a journey, those few short steps. Youth is, indeed, wasted on the young.

“Why do you want me in here?” she asks as her shadow dons the door.

“You want me to answer your question about my taste in music, or not?”

“I do.”

“Well, then, you need to come in here,” I assert. “I want you to experience the music as I would have at your age, and then you might have a purer understanding.” It’s a stretch, but worth a shot.

Amy slumps in the sofa and Abbey, the rough collie, joins her. Puts her head in her lap. Moans.

“You know your grandmother was an opera singer …” I begin.

“Yes.”

“Well opera, naturally, is where my taste for music began. Your grandma started her training for the operatic stage while she was pregnant with me and so naturally it formed the basis of my music education. Would you like to hear a little bit of opera?” I need to give her the choice. Being forced to listen to something that ends up grating your nerves without the option of cutting it short is hell on earth.

“Sure, I guess …” Amy hesitates, and hugs the dog.

“Okay … good.” I reach for a recording of highlights from Mozart’s captivating  The Magic Flute and select the dark, dramatic Queen of the Night aria. This should get her attention. I slide the record down the post on the turntable and place the needle at the beginning of the appropriate track. The quality of the recording is a bit tinny, but the voice behind it is divine. I flop in my chair and watch for Amy’s reaction to the trills and thrills of this particularly fine rendering. Will she ask me to turn it off? She has the option.

Her eyes close; her eyes open. She scrunches her face; she releases it. To my delight we see the aria all the way to 3:10 minutes. At the end we pause for a moment as if to allow the music somewhere to rest. Amy breaks the silence.

“Wow! Wow! Wow!” her eyes light up like fire flies; her countenance brightened. “That was awesome!! Did grandma sing like that?”

“Yes, of course, sweetie. Opera was her life, and was a huge part of mine. I kind of have a love/hate relationship with it … but mostly love,” I sigh, remembering a childhood filled with trips to the theatre and introductions to the most glorious music. “It tuned my ear. Made me rather particular about the other genres I would entertain, which is okay with me. I rather like my taste in music.” I giggle to myself. I rather do.

“So, what else do you like to listen to, then?” Amy wants to explore my other musical dimensions.

“Oh, a little bit of a lot of different things, but I am, as I said, particular.”

I pick up the pile of albums from the floor beside me and head over to the sofa to sit next to my niece. She scooches over and I have to kind of work my way around the dog, but the three of us figure it out and I rest the albums on my lap.

“This … ” I pick up the first album with its dark outlines and sunset background, ” … is Hotel California by one of my favourite bands, The Eagles. I was 14 when this album was released. I’ve played it many, many times,” I tell her while feeling the cover’s frayed edges. “Their musicianship and vocal harmonies reach into the depths of my soul.” I get up from the sofa and take the vinyl out of its sleeve; slip it onto the turntable on top of the opera, and place the needle at the beginning ~ the title track. For a few minutes I’m transported to my tumultuous teenage years, a period of my life that relied heavily on music such as this.  Close my eyes. Lose myself.

“Auntie Ell …” Amy calls me back when the song is over and the needle has slipped into the next track.

“Sorry, sweetie,” I give my head a shake, “I was quite lost there for a moment.” I pick up the needle and set it on its rest.

“I know. I watched you. Where did you go?”

It’s then that I realize that the music we adopt becomes our meditation. It takes hold and moves us … for good or ill.

“It took me home.”

Amy gets her quizzical face on.

We continue in this vein for about an hour, lost in time and space as Amy patiently allows me to share with her samples from the soundtrack of my life. The records layering on the turntable just as the music has layered my life. Maybe, just maybe, I can help this young woman develop an eclectic music palette. Balance the rambunctious with the soulful; the pop with the classical. Introducing her to a variety of music gives her a choice. Every generation has its music, to be sure. Mine was light rock and disco. Likewise, every generation can benefit from, and find expansion through, the music of the past and meld it with the present. I’m rather fond of Adam Levine‘s vocal interpretations, truth be told.

I am not so eloquent at describing music’s meaning to me. Music is personal. It speaks to the soul ~ moulds it; heals it; or even destroys it. It is our choice. I only hope that in the sharing of the music I love ~ and that loves me ~ I am able to help Amy find the music that amplifies her happiness. There is music for every mood; every occasion. I have heard of people who don’t listen to music ~ even worse, don’t like it. This only makes me wonder if they have yet found the music that whispers to their soul.

I try new music on all the time. This is one of life’s more gentle explorations, yet we can never underestimate the profound power our choice of music has on our lives. I could write a book and never get to the depth of meaning music holds for me. The fact that I can sing every word and every nuance of a song I haven’t heard in 20 years still baffles me.

It’s been a full hour music sampler ~ bluegrass, blues, country, choral and more. My final selection, Spring Can Really Hang You Up the Most as sung by my favourite jazz songstress Ella Fitzgerald, leaves tears streaming down my cheeks. Amy brings me a tissue.

“You asked.” I sniff and mop up my tears, embarrassed by my self-indulgence. I really just want Amy to understand that her taste in music is as individual as she is, just as mine is to me. And I haven’t even addressed the impact that participating in good music has on us as performers. One day I’ll tell her about that, too.

She gives me a hug. “Thank you.”

“You’re welcome, sweetie. Now, come on … ” with a gentle push I loosen her hold and take her hand for some help up from the chair, ” … let’s eat some popcorn and turn on the radio to something you like.”

~*~

©Dorothy Chiotti … All Rights Reserved 2016

Daily Prompt: Music

 

Buying Time

 

fwfprompt

~*~

“Matyas, what are you doing?”

“Playing Liszt on a sad, old piano,” replied Matyas as he fumbled over the bass clef of an abandoned, battle-bruised upright.

“But, we are in the midst of battle.”

“I play anyway.” He culled from memory the patterns of finger play for the opening bars of the Hungarian Rhapsody. His lately unpracticed, nerve-frayed hands poking at the ivories with determination.

“You will alert the enemy.”

“Yes, to my humanity. I am not a killing machine. I am a man with a heart trained to do the unthinkable.” Matyas pursued the lilting, heart-felt movements with the passion of a man buying time, the tinny sounds of the broken piano resounding plaintively throughout the barren wood. A tear pooled in the corner of his eye. He wiped it away with the back of a dirty sleeve. “I must remind myself I am human. I must show the enemy I am more than a man in uniform.”

“But they will kill you.”

“Then let my last breath be the last note I play. Let me die in the rapture of the music I love.”

“You are a romantic fool, Matyas.”

“I know. Let that be written on my stone.”

~*~

©Dorothy Chiotti … All Rights Reserved 2016

 

Free Write Friday

 

 

 

Blank

Daily Prompt: Childhood Revisited

What is your earliest memory? Describe it in detail, and tell us why you think that experience was the one to stick with you.

~*~

“Aunt Sally, what’s your earliest childhood memory?” asked Manda while  thumbing through the pages of an already treasured new horse book. Christmas had been good to her.

“Why do you ask, sweetie?” Sally hesitated. Her memory of those early years were foggy at best. And not all the memories good.

“Oh, I don’t know. I just wondered.” Manda stopped admiring her book and sat back in her chair, arms folded waiting for an answer. She loved her Aunt Sal and was curious to know all about her. Besides, there’d been an assignment at school to discover hidden depths in a favourite family member. For Manda, Aunt Sal was that person.

Sally thought for a moment. Her earliest childhood memory that wouldn’t throw them both for a loop. Hmmm … it had to be qualified. “Give me a moment, please dear.” She stood up from the kitchen table and walked over to the counter to fetch a piece of homemade shortbread from the tin. Her mind was a blank. Searching for memories had always been troublesome for her. She’d spent so much of her life somewhere else. Dissociated. She could recall the cumulative trauma, but that was hardly a memory she could share with a 12-year-old girl.

“Aunt Sally … can you even remember your childhood?” Manda was beginning to feel concerned.

How perceptive she was, thought Sally brushing a tear from her cheek while still bent over the counter eating her cookie. Finally, she turned to face her niece.

“Auntie!!!” Manda squealed, upset at the sight of her aunt’s watery eyes. She jumped from her seat and ran over to give her a big hug. “What’s wrong? I didn’t mean to make you cry.”

Sally choked back a sob and cleared her throat. She wrapped her arms around Manda and gave her a big squeeze. “Sweetie, you didn’t make me cry. My lack of memories makes me cry. I wish I could share with you my earliest childhood memory, but I can’t. It’s just too painful and I don’t want to hurt you.” She knew it was better to be honest. A lie simply bred more lies.

“Oh, auntie, I’m so sorry,” Manda pulled a piece of paper towel off the roll and gave it to her aunt whose only tissue was now in tatters. “If I’d known I’d never have asked.”

“But you weren’t to know, Manda, so please don’t worry. I have many good memories, just not too many good early ones. There was too much trauma in my life too soon, which is to say life became overwhelming before I was mature enough to handle it. Traumatized little ones develop all kinds of coping strategies to help them get through life. Often these carry on into adulthood and can be quite destructive if not addressed. My strategy was to check out when my life got too stressful. That’s why I don’t remember a lot of it. Sadly, a lot of grown ups never seek, or find, the help they need.”

“Like uncle Ted?” Manda wondered about her aunt’s ex-husband.

“Yes, like your uncle Ted.”

“What about you?”

Sally sighed. “Oh, I was finally able to get the help I needed a few years ago. That’s made my life more liveable now, but it still doesn’t reclaim all the lost memories.”

“Do you have any nice childhood memory you can share?” Manda asked, her eyes wide with hope.

Sally beckoned Manda to the kitchen table where they sat down across from one another. She thought for a moment, and then smiled. “When I was six years old,” she began, “I lived for a year with my grandmother … your great granny, Esther. Mother was off on a world tour and my father was absent, so I lived with gran. Of course, I went to school ~ grade 2 ~ and it was about that time that my musical talents began to surface. So, for the school play, Bambi, I was given a song to sing.”

“You were! Which one?” Manda was excited to know.

Drip, drip, drop little April shower …” Sally sang what she remembered.

“Oh, I know that song!” Manda squealed with joy, remembering the animated movie soundtrack.

“I’d be surprised if you didn’t,” Sally grinned.

“Were you happy?”

“Yes, I was happy. Gran had outfitted me in my favourite red velvet dress with gold buttons down the front and put tight ringlets in my hair. For just a little while I was the centre of her universe, so I felt pretty special.”

“What happened next?” Manda was all ears.

Gran took me for a hamburger and milkshake at the old hotel on Main Street. Bit of a dive, but it didn’t matter. I remember her boasting about me to her friends. I have good memories around that.”

Manda was entranced. “Oh, auntie, thank you for telling me your story. You have such a beautiful voice.” And then Manda paused, a look of curiosity swept into her eyes. “Why didn’t you grow up to be a singer?”

“That, my dear,” sighed her aunt, “is a story for another day.”

~*~

Thanks for visiting …

Dorothy

©Dorothy Chiotti … All Rights Reserved 2015

 

 

 

Violetta Unleashed

Daily Prompt: The Transporter

Tell us about a sensation — a taste, a smell, a piece of music — that transports you back to childhood.

~*~

One of my clearest and happiest memories of childhood takes place just before my family disintegrated.

As I’ve mentioned before, exposure to classical music was an integral part of my upbringing. When I was five years old the family lived in Toronto while my mother was going to opera school. Because she also worked in a hospital lab by night we rarely saw her. Dad was there for my brother and I, but I have no memories of him being that devoted.

Naturally, because of mom’s career trajectory we listened to a lot of opera. And, I fell in love with it.

Cavalleria Rusticana (Mascagni) was among my favourites. (Yes, imagine that as a five-year-old’s memory). I can even remember the record cover and studying the intricate details of the graphic design.

However, my strongest memory is powered by the profoundly beautiful dramatic opera, La Traviata (Verdi).

Mom had a record of highlights which I remember we listened to quite often. My favourite soprano aria was, and still is, Sempre Libera ~ Violetta’s big vocal moment. When I hear this incredible aria, I’m transported back to a Sunday afternoon (might have been Saturday) in our apartment living room when my parents were having friends from the opera school over for a visit.

Though I don’t recall exactly how the moment unfolded or even if I sang the whole thing (that would be asking too much), I do remember Sempre Libera playing on the stereo and me at centre stage in the middle of the room, commanding attention and singing my heart out. I believe I even did a little dance toward the end. My own Violetta unleashed.

Of course, everyone clapped and for that moment ~ a rare moment ~ I felt special in the eyes of both my parents at the same time.

Lois McDonall, my mother, as Violetta in Guiseppe Verdi's "La Traviata." English National Opera production.
Lois McDonall, my mother, as Violetta in Guiseppe Verdi’s “La Traviata.” English National Opera production.

As the years went by and my mother’s career blossomed, she performed the role of Violetta in London and beyond. This, naturally, only increased my love for, and connection with, this opera .

The last time I saw/heard La Traviata “live” was in Prague in 2008. It was a spur-of-the-moment decision to go and a wonderful production that only added to my special memories.

I live for these kinds of memories.

Thanks for visiting …

Dorothy

©Dorothy Chiotti … Aimwell CreativeWorks 2015

My Week in Music

Daily Prompt: Playlist of the Week

~ Five songs that represent this past week for me ~

~*~

Oh, a music prompt! I love these …

Having given a few moments thought to my week, these are the musical selections that come immediately to mind:

Selection #1 ~ Right here, right now (Jesus Jones) ~ this could easily be changed to Write here, write now as I have felt quite motivated to follow the daily prompt and write every day to get the ol’ creative juices flowing. Having said that, it’s a song that also reminds me to take each moment as it comes, non-judging and totally open to the road that lies ahead, wherever that may lead. Be here, now. Feel and process feelings as they happen and respond mindfully and accordingly. I’m reading a fascinating book ~ Mindsight by Dr. Dan Siegel ~ which is helping me to be even more cognizant of my life in the moment. I’ve made remapping my mind and breaking old patterns of negative behaviour one of my goals for this year, replacing these old ways of being with more positive and holistic ways that allow me to live my life more fully and completely. It’s all good.

Selection #2 ~ Boogie Nights (Heatwave) ~ part of managing adrenal fatigue for the past few years included drastically reducing the amount of exercise I was doing. Over-taxing the nervous system was a bad idea, so karate had to go and my focus had to become gentle (yin) exercises like dog walking, quiet rides on my horse and Pilates. Now that my nervous system appears to be on sounder footing I want to expand my exercise regimen, still, I need to be mindful about it. Since his retirement my husband has taken over dog walking, so what am I left with? I can dance! Boogie Nights, a great disco song from the 70s, starts my Fun mash-up (of more 70s disco and some rock) and I just move to the music. About 20 minutes stretches muscles and gets the heart rate pumping in a way I can manage. I try to do this two to three times per week. So far I’ve gone all disco once this week, but I think today will be a good day to add to that.

Selection #3 ~ Baby, It’s Cold Outside (pick an artist) ~ selected because it’s been &^#% cold outside this week (-16C yesterday with windchill). My horse has an injured suspensory ligament so I go every day to nurse his wound and keep him company, but the barn and arena are not heated so I am, essentially, in a frigid outdoor environment for two-three hours at a time. The art of dressing warm without overheating is lost on me, so I usually end up in a sweater with a down vest over it and my winter breeches, which is not really warm enough. My feet are always cold, no matter what boots I wear or how many layers of socks I don. So, by the time I get home I’m ready for a nice hot bath. I just don’t get warm until I’ve immersed the damp out of my bones.

Selection #4 ~ Ein Deutches Requiem (Brahms) ~ This is what I’m listening to right now, as a matter of fact. As well as being a writer, artist and equestrian I am a singer. Singing was another one of those things I had to let fall by the wayside because of adrenal fatigue. It’s an activity that requires an extraordinary amount of energy to do well and because of the adrenalin involved can tax a compromised nervous system to the point of extreme debilitation. (Just before I quit singing I was working with a coach and attending workshops but had to stop because doing so literally made me sick for days after.) Now that I’m feeling stronger I’d like to (try to) incorporate a structured singing program into my life again. I’ve been spoiled though. I sang in one of the world’s premier large choral ensembles, the Toronto Mendelssohn Choir (TMC), for 12 seasons, and having been raised by an opera singer I’m picky about the quality of singing I lend my voice to. Does that sound awful? Shouldn’t it just be enough to sing? Perhaps, but if I’m going to expend my now precious energy doing something I love than I have to love it. So, in my internet search for a local choral society at 7 a.m. yesterday, I found a local chamber choir that sounds about right. I sent an inquiry expressing my interest and giving some of my background, and received a response telling me I was welcome to try out in March when they would start rehearsing Ein Deutches Requiem. This just happens to be one of my favourite choral works and one I’ve performed many times with the TMC. Is this a sign? I will make my final decision about trying out for the chamber choir once I’ve heard them perform at their next concert on March 1. I’m hopeful. Of course, if I try out they may suppose I’m not right for them. It’s always a risk, but I won’t know until I try.

Bear SmiingSelection 5# ~ Jump (Pointer Sisters) ~ Yes, from the sublime to the totally ridiculous. Yesterday the vibe at the barn was a bit unsettled and Bear, my injured horse who’s on 120-day stall rest (we’re at day 25) and daily rounds of hand walking in the arena, and who’s been quite sensible about it, had a jelly bean moment. That is, after a roll in the arena footing to get the kinks out (which I didn’t mind because I knew he hadn’t had a chance to roll in a while) he launched to his feet and leapt/jumped/bucked in the air like a Lippizaner stallion. I thought I was going to have heart failure. “You’re not allowed to do that!” I yelled at him from across the arena. “You’re injured, remember?” He just looked at me with an element of surprise and stood there noncommittal. Within moments I finally regained my composure and he walked over to me looking sheepish. He knew he’d abused my trust. We had a good talk during the ensuing walkabout, during which I reiterated how inappropriate it was for him to jump about at this time. If he was allowed to do that I would be allowed to ride him, and I’m not, so he needs to stick with the recovery program and stop acting like a four-year-old. He smiled … he really did … and I couldn’t stay mad at him anymore. Look at that face (yes, a nice summer image). Could you?

So, there you have it. My week in music …

Thanks for visiting,

Dorothy

~*~

©Dorothy Chiotti … Aimwell CreativeWorks 2015

Music Never Dies

 

fog
Credit: Favim

~*~

Abandoned in the woods of my mind

The music I used to make.

The songs I used to sing.

The choral symphonies and

A cappella wonders that resonated

So deeply at the time I could never

Imagine my life without them.

Then life happened.

A new chapter unfolded.

A change of direction.

The company of composers

Receded to the heart chamber ~

Gone, but not forgotten

So that when the music played again

Every note; ever nuance

Every syllabic turn

Emerged from the foggy forest of my mind

To live and lighten again.

The pleasure of musical moments

Shared and memories of

Glorious music made live as though

Created yesterday.

But then, I realize, the music we inhabit

Never dies ~ it simply dwells

And resonates in every

Cell of our being to live another

Day, to uplift or

Devour the spirit according to

Our desire. Of course, only the

Heart knows the

Difference.

~*~

Music has always been an important part of my life.

I’m a singer. A soprano. Not of the operatic variety ~ that’s been done in my family. No, I’m a soprano hybrid, I guess I’d say. A little bit of everything.

For 12 years I sang second soprano in the Toronto Mendelssohn Choir ~ Toronto’s esteemed symphonic chorus ~ and loved every minute of it. The rehearsals, the performances, the way 180 people from different walks of life could all come together and create music magic together. Swept away by Brahms, Mozart, Beethoven, Faure, Vaughan Williams, Gabrieli and so many more of the classical and modern repertoire ~ for those moments our troubles disappeared as we focused our minds and hearts on giving voice to music that never dies.

I sang Handel’s Messiah 60-plus times. I know the soprano line (solo and choral) in my sleep. Every Christmas we go to hear the Choir and symphony perform this incredible oratorio and the part of my heart where this slice of heaven dwells opens up and I feel the joy of its presence in my life once more.

And this is so for many, many more wonders of the choral repertoire I had the privilege to perform.

But it doesn’t stop there.

All the music I’ve ever experienced in my life ~ opera, jazz, country, rock, blues, bluegrass, folk, R&B ~ resonates within and reflects who I am.

To me, the type of music we invite in to inhabit our world is every bit as important as the books we read and the people we choose to associate with. It colours who we are and our life experience.

I have heard of people who choose to live their lives without music and I am, frankly, floored by this notion. Still, each of us must walk their own path and live according to the dictates of our own hearts.

Among the music I miss singing the most is a cappella. To me, little can match the purest form of the human voice. “Hear My Prayer, O Lord” by English Baroque composer, Henry Purcell (1659-1695) has long been one of my favourite a cappella pieces, and the first time I sang it with the Mendelssohn Choir it moved me to tears. If you would like to experience this short piece, click here. It’s lovely and meditative for a Sunday morning.

I realize it’s not everyone’s cup of tea, but I love it. It’s part of who I am and one of those things that reminds me how good it is to be alive.

And as long as I am alive this music will live in me.

Thanks for stopping by …

Dorothy

~*~

1477384_696513200380722_443439577_nPrompted by Kellie Elmore’s Free Write Friday.

©Dorothy Chiotti … Aimwell CreativeWorks 2014

The Unluckiest Moment

Some might have said it was an unlucky end to her illustrious career. A grand dame of the Bel Canto repertoire forced to exit the international stage prematurely for health reasons. But she knew, if anything, that the situation was quite the reverse. She’d enjoyed her many years in the spotlight and now it was time to help raise the next generation of singers.

Standing stage centre in the English country garden turned temporarily into a private outdoor concert venue, the diva’s porcelain features formed a sad smile in preparation to sing the first note of the last song of her last public performance.

The moment choked her a little, as she knew it would, but gathering her wits about her she turned her head in a practiced fashion to the poised accompanist and nodded for the intro of the “Vilja-Lied” from Franz Lehar’s “The Merry Widow” to begin.

For a moment the sparkling soprano closed her eyes, the vision of a clutch of ardent fans dabbing at their tear-filled adoring eyes almost more than she could bear. They’d followed her around for years ~ to radio broadcasts; symphony concerts; opera ~ and with the close of this exclusive and intimate gathering she would see them no more.

The anticipation of her final public rendering of a beautiful aria for which she’d become famous was palpable and to her, indeed, almost overwhelming. As the diva awaited her final opening note she inhaled deeply of the fragrant red roses that festooned the beautiful garden ~ in the vast flower beds, in voluminous garden urn arrangements strategically placed ~ and that matched the signature colour of her gown.

Scarlett, her fans called her. Early in her career, Scarlett the Starlet. She exhaled a sigh of resignation and caught a hint of peppermint from plants that wove their refreshing magic wild around the beds.

She took another deep breath and opened her mouth to sing.

Nothing. No sound. Her throat seemingly coated in gravel. She spluttered; tried to recoup. It was no use.

Devastated, the diva raised a hand to silence her accompanist and reached for her water glass.

Empty.

Now a feeling of desperation washed over her. The audience could see it and began to murmur.

A young man in the front row rushed the stage with a water bottle, unopened. He twisted the cap and offered it to the adored. The thirsty soprano glided toward him and gladly accepted his kindness. She placed her ruby lips around the mouth of the bottle and drank while the throng of concerned onlookers waited.

“Thank you,” she whispered.

“Keep it,” he responded, and smiled.

She smiled in return and in a moment of spontaneity offered him her hand and invited him up the few steps and onto the stage so she might sing of forbidden love to him directly.

To rousing applause the diva signalled once again for the piano intro to begin and, beaming brightly in the rays of the setting sun, serenaded the one who had turned the unluckiest moment of all into a golden moment of immortality.

~*~

1477384_696513200380722_443439577_nOpera is on my mind now as I gear up to write the final chapters of my light-hearted murder mystery set in the melodramatic world of divas and dysfunction that is opera.

Thanks to Kellie Elmore for another great Free Write Friday challenge.

Prompt:

Word Bank – Use one or all. Whatever inspires you.

Red – Mint – Gravel – Sing – Unlucky

~*~

Thanks for visiting …

Dorothy

©Dorothy Chiotti, Aimwell CreativeWorks 2014